Culture Two
Culture Two
Culture - Two Seven Clash - Two Sevens Clash
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 Julie & Julia (DVD, 2009)  US $5.99
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 Soda Fountain Sweetheart 1996 Barbie Doll US $40.00
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 International Business: The Challenges of Globalization (TESTBANK) US $50.00
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Two Male Statuettes, Recuay Culture $49.99 Two Male Statuettes, Recuay Culture - Giclee Print |
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Girl Culture [Two Volumes] $185 Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to high school and beyond, Girl Culture tackles numerous hot-button issues, including the recent barrage of advertising geared toward very young girls emphasizing sexuality and extreme thinness. Nothing is off-limits: body image, peer pressure, cliques, gangs, and plastic surgery are among the over 250 in-depth entries highlighted. Comprehensive in its coverage of the twenty and twenty-first century trendsetters, fashion, literature, film, in-group rituals and hot-button issues that shapeand are shaped bygirl culture, this two-volume resource offers a wealth of information to help students, educators, and interested readers better understand the ongoing interplay between girls and mainstream culture. |
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Christianity and Culture $14.95 "Two long essays: "The Idea of a Christian Society" on the direction of religious thought toward criticism of political and economic systems; and "Notes towards the Definition of Culture" on culture, its meaning, and the dangers threatening the legacy of the Western world.>" |
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Culture $13.49 Culture |
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Culture and Enterprise $59.95 This remarkable new work reconciles two distinct disciplinary fields; the study of culture and the study of markets, to expand our understanding of the world of markets and business enterprise. |
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Is There a Culture War? $18.95 Red and Blue states . . . the ''Religious Right'' and the ''Liberal Media'' . . . NASCAR dads and soccer moms . . . Is America clearly and bitterly divided? Are today's social and political differences truly worrisome, or the unavoidable products of a diverse democracy? In Is There a Culture War? two leading authorities on political culture lead a provocative examination of division and unity within America. |
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Culture and Rhetoric $90 While some scholars have said that there is no such thing as culture and have urged to abandon the concept altogether, the contributors to this volume overcome this impasse by understanding cultures and their representations for what they ultimately are - rhetorical constructs. These senior, international scholars explore the complex and multifarious relationships between culture and rhetoric arguing that just as rhetoric is founded in culture, culture is founded in rhetoric. This intersection of rhetoric and culture constitutes the central theme of the first part of the book, while the second is dedicated to the study of figuration as a common ground of rhetoric and anthropology. The book offers a compelling range of theoretical reflections, historical vistas, and empirical investigations, which aim to show how people talk themselves and others into particular modalities of thought and action, and how rhetoric and culture, in this way, are co-emergent. It thus turns a new page in the history of academic discourse by bringing two disciplinesanthropology and rhetorictogether in a way that has never been done before. |
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Culture & Citizenship $57 Culture' and 'citizenship' are two of the most hotly contested concepts in the social sciences. What are the relationships between them? This book explores the issues of inclusion and exclusion, the market and policy, rights and responsibilities, and the definitions of citizens and non-citizens. |
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Culture in Camouflage $125 Culture in Camouflage aims to remap the history of British war culture by insisting on the centrality and importance of the literature of the Second World War. The book offers the first comprehensive account of the emergence of modern war culture, arguing that its exceptional forms and temporalities force us to reappraise British cultural modernity. The book explores how writers like Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, T.E. Lawrence, Winston Churchill,Elizabeth Bowen, Virginia Woolf, James Hanley, Rex Warner, Alexander Baron, Keith Douglas, Henry Green, and Graham Greene contested the dominant narratives of war projected by an enormously powerful and persuasive mass media and culture industry. Patrick Deer reads war literature as one element in an expanded cultural field, which also includes popular culture and masscommunications, the productions of war planners and military historians, projections of new technologies of violence, the fantasies and theories of strategists, and the material culture of total war.Modern war cultures, Deer contends, are defined by their drive to normalize conflict and war-making, by their struggle to colonize the entire wartime cultural field, and by their claim to monopolize representations and interpretation of the conflict. But the mobilization of cultural formations during wartime reveals, at times glaringly, the constitutive contradictions at the heart of modern ideas of culture. The Great War failed to produce a popular war culture on the home front, producinginstead an extraordinary literature of protest, yet the strategists struggled to regain their oversight over both the enemy across no man's land, and the minds and bodies of their own mass conscript armies. The interwar years saw a massive effort to make strategic fantasies a reality; if thetechnology of imperial air power or mobile armoured warfare did not yet exist, culture could be mobilized to shore up the ramshackle war machine. During World War Two a fully fledged British war culture emerged triumphant in time of national crisis, offering the vision of a fully mobilized island fortress, a loyal empire, and a modernized war machine ready to wage a futuristic war of space and movement. This was the struggle that British World War Two writers confronted with extraordinarycourage and creativity. |
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Culture, 1922 $32.95 Culture, 1922 traces the intellectual and institutional deployment of the culture concept in England and America in the first half of the twentieth century. With primary attention to how models of culture are created, elaborated upon, transformed, resisted, and ignored, Marc Manganaro works across disciplinary lines to embrace literary, literary critical, and anthropological writing. Tracing two traditions of thinking about culture, as elite products and pursuits and as common and shared systems of values, Manganaro argues that these modernist formulations are not mutually exclusive and have indeed intermingled in complex and interesting ways throughout the development of literary studies and anthropology. Beginning with the important Victorian architects of culture--Matthew Arnold and Edward Tylor--the book follows a number of main figures, schools, and movements up to 1950 such as anthropologist Franz Boas, his disciples Edward Sapir, Ruth Benedict, and Zora Neale Hurston, literary modernists T. S. Eliot and James Joyce, functional anthropologist Bronislaw Malinowski, modernist literary critic I. A. Richards, the New Critics, and Kenneth Burke. The main focus here, however, is upon three works published in 1922, the watershed year of Modernism--Eliot's The Waste Land , Malinowski's Argonauts of the Western Pacific , and Joyce's Ulysses . Manganaro reads these masterworks and the history of their reception as efforts toward defining culture. This is a wide-ranging and ambitious study about an ambiguous and complex concept as it moves within and between disciplines. |
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Boy Culture $165 Boy Culture: An Encyclopedia spans the breadth of the country and the full scope of a pivotal growing-up time to show what "a boy's life" is really like today. With hundreds of entries across two volumes, it offers a series of vivid snapshots of boys of all kinds and ages at home, school, and at play; interacting with family or knocking around with friends, or pursuing interests alone as they begin their journey to adulthood. Boy Culture shows an uncanny understanding of just how exciting, confusing, and difficult the years between childhood and young adulthood can be. The toys, games, clothes, music, sports, and feelingsthey are all a part of this remarkable resource. But most important is the book's focus on the things that shape boyhood identitiesthe rituals of masculinity among friends, the enduring conflict between fitting in and standing out, the effects of pop culture images, and the influence of role models from parents and teachers to athletes and entertainers to fictional characters. |
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Culture at Work $14.99 Recording information: Channel One Studios; Dynamic Sound Studios, Kingston, Kingston, Jamaica; Music Mountain Studios, Kingston, Jamaica.This reggae harmony trio, led by the mystical and charismatic Joseph Hill, made its most enduring recordings under the tutelage of the "Mighty Two" -- producers Errol Thompson and Joe Gibbs -- and for Sonia Pottinger's High Note label. But this program finds them working alternately with the Roots Radics and with Sly & Robbie, whose production is just a bit dull but still packs much of the same power as the earlier Culture recordings. Culture at Work finds Joseph Hill sounding more like Burning Spear than ever, and his melodies, which are always hummable but rarely truly memorable, tread similarly familiar terrain. Same with his lyrics -- "Crisis" and "I'm Worried" predict a ghetto apocalypse, "Christian" chides the clergy for its spiritual blindness, "Money Girl" scolds womankind for its greed, "Dance Hall Style" celebrates Hill's own vocal prowess. Heard all that somewhere before? Of course you have. Doesn't mean it isn't worth hearing again, though. Culture at Work is no Two Sevens Clash, but it's still worth owning. ~ Rick Anderson |
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The Culture of History $125 Billie Melman takes us on a panoramic voyage of the 'culture of history' which developed in England after the French Revolution. She vividly recovers unexplored aspects of popular history, and unpicks notions of the uncosy past, a place of pleasurable horror and sensationalism, which survived into the 1950s. - ;In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and. their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and. places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not. green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine. - ;The culture of history...is a lively and richly illustrated guide... - Michael Ledger-Lomas Historical Journal;brilliant new book - Leslie Howsam, Canadian Journal of History;...she has blazed a trail that others will undoubtedly follow - Simon Morgan, Institute of Historical Research;A kaleidoscopic inquiry into the popular imagination of history that succeeds triumphantly in presenting the strange and partially-obscured mentalities of non-elite people in the past. Dealing principally with the ways in which the French Revolution and the Tudor monarchy |
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Understanding Police Culture $45.95 Police culture has been widely criticized as a source of resistance to change and reform, and is often misunderstood. This book seeks to capture the heart of police culture-including its tragedies and celebrations-and to understand its powerful themes of morality, solidarity, and common sense, by systematically integrating a broad literature on police culture into middle-range theory, and developing original perspectives about many aspects of police work. The first section addresses the definition of culture and the understanding of police culture, while section two moves on to themes of police culture. |
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Two Sevens Clash $10 Two Sevens Clash - Culture |
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The Culture Code $11.99 Why are people around the world so very different? What makes us live, buy, even love as we do? The answers are in the codes. In The Culture Code , internationally revered cultural anthropologist and marketing expert Clotaire Rapaille reveals for the first time the techniques he has used to improve profitability and practices for dozens of Fortune 100 companies. His groundbreaking revelations shed light not just on business but on the way every human being acts and lives around the world. Rapaille’s breakthrough notion is that we acquire a silent system of codes as we grow up within our culture. These codes—the Culture Code—are what make us American, or German, or French, and they invisibly shape how we behave in our personal lives, even when we are completely unaware of our motives. What’s more, we can learn to crack the codes that guide our actions and achieve new understanding of why we do the things we do. Rapaille has used the Culture Code to help Chrysler build the PT Cruiser—the most successful American car launch in recent memory. He has used it to help Procter & Gamble design its advertising campaign for Folger’s coffee – one of the longest lasting and most successful campaigns in the annals of advertising. He has used it to help companies as diverse as GE, AT&T, Boeing, Honda, Kellogg, and L’Oréal improve their bottom line at home and overseas. And now, in The Culture Code , he uses it to reveal why Americans act distinctly like Americans, and what makes us different from the world around us. In The Culture Code , Dr. Rapaille decodes two dozen of our most fundamental archetypes—ranging from sex to money to health to America itself—to give us “a new set of glasses” with which to view our actions and motivations. Why are we so often disillusioned by love? Why is fat a solution rather than a problem? Why do we reject the notion of perfection? Why is fast food in our lives to stay? The answers are in the Codes. Understanding the Codes gives us unprecedented freedom over our lives. It lets us do business in dramatically new ways. And it finally explains why people around the world really are different, and reveals the hidden clues to understanding us all. |
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Redeeming Culture $14.99 "In the last two decades, increasing openness towards Native people within the Church has become prevalent. Repentance and reconciliation between Non-Native and Native people was introduced in many Christian-conferences across North America. Many non-Native churches are becoming aware of the injustices of the past, concerning Native people, and are moved in their hearts towards them. They are endeavoring to make Native people feel welcome in their churches. They are beginning to recognize Native ministers/ministries and to realize the importance of their role within the Body of Christ. Objectives are weighed regarding how to reach the Native population with the Gospel of Christ. One of those objectives is to welcome traditions of Native culture within our churches. Although not all, numerous Christian organizations embrace this idea. Several non-Native ministries are confused about this matter. They welcome Native people and want to reach them with the love of Jesus, but are apprehensive with questionable elements of Native culture in general. By the same token, many Native ministers/ministries are deeply concerned when they see non-Native churches embrace those traditions. This book hopes to address this very issue and looks to answer the questions that many have regarding the redemption of Native culture through Christianity. This book is the result of my own spiritual journey and desire to communicate what I believe the Bible teaches about redemption and culture. It is my prayer that this book will also help you. Velma White is a Cree First Nations missionary who currently resides in Ft. Providence, Northwest Territories, Canada. She has achieved a Master's Degree in Theology. Sheministers and travels to several Native villages across Northern and Western Canada with New Testament Outreach Ministries International. She is a worship leader and teaches at a Discipleship Training Bible School with N.T.O.M.I." |
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Vessel in the Form of Two Male Figures Performing a Sexual Act, Chimu Culture $49.99 Vessel in the Form of Two Male Figures Performing a Sexual Act, Chimu Culture - Giclee Print |
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